I also share the dream of creating a manga, or should I say a a comic book with a manga influence? Oh well, that's a whole new subject altogether. I think that you have to ask yourself the question, "what do I have to offer them (the publisher/the fans)?" I see a lot of comments on here about westerners having to learn about Japanese customs in order to write a good enough manga. I don't think that this is necessarily true. I don't know about manga, but a lot of anime (the popular and interesting kind) are based in worlds that are NOT Japanese. For example, FullMetal Alchemist, Record of Lodoss War, Princess TuTu, Cowboy Bebop, Trigun, and Wolf's Rain (the last three are made by Studio Bones, I think). My point is, you can create a manga that has nothing to do with living in Japan or being a Japanese student moving from the country to the city or being a samurai on a mission. One of the best pieces of advice I have ever heard about writing a story is this: WRITE WHAT YOU KNOW. If you are writing a story about samurai but don't know if samurai were active in the edo period or the meji period or whatever period (cause I sure don't, but I loved Ruroni Kenshin regardless of not knowing when it took place) then you should either find out for the sake of accuracy or base your story on something you DO know. I think this could be one of the reasons why many aspiring western manga-ka fail: because they are writing about something they don't know. The Japanese (I can only guess) were raised knowing their own history just like westerners were, so they are going to write more accurate and believable stories about shrine priestesses and fox spirits (I also watch a lot of Inuyasha, as you've probably guessed) than a westerner because they know their own customs more deeply than an outsider who has only read about them on Wikipedia. :-) But back to what you have to offer. The reason why a lot of westerners love manga is because it is so different from what we grew up with (American comics). I love batman and superman and the whole crew but I just don't see the depth in comics as I do in manga. And that is why I prefer manga to comics, for the most part. So wouldn't it be safe to say that the Japanese could also start getting tired of their own stories and start reading something else? Say, like OUR comics? Once you write your excitingly fresh and new story with a western twang to it, you might find that there is an audience just begging for something like that. And BOOM! You've got yourself a fan-base. A niche market that only YOU have tapped into. Why? Because you took the risk of writing a manga based on your own experiences (not that of a Japanese native, but the experiences of a gaijin). My advice is that you incorporate your manga- based art style (detailed artwork and interesting panel layouts and angles) and storytelling techniques( deep dialogue and lovable, relatable characters; a story with a definite beginning and ending; and the occasional whacky, offbeat manga humor that we all love) into your own unique piece of work that is something that fans can relate to because they recognize it as manga, but also unique in that it is something that they've never seen before and will inevitably flock to. I know that what I've just written sounds vague and very much like a too-good-to-be-true pipe dream but I really believe that this is the best way to go when it comes to creating your story. As for becoming a manga artist in Japan, I would say that you should hone your craft in the country you are in (go to conventions, put your work on deviant art, enter contests) and once you become a little well-known, even if by a small fan-base, you will have created for yourself a portfolio, contacts, and experience. Then it would be that much easier to get your foot in the door with the manga publishers.At least, that what I believe.
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