Hello, I have posted on this thread a year or so ago, and all I can say is that I'm that much closer to living my dream!
With the help of a friend, I will be doing kengaku (observational study) with real manga-ka! Mr. Kurihara from the company Futabasha (Crayon Shin-chan, Lupin III, Cutey Honey, etc) offered me this opportunity, as well as space to grow with the company as an apprentice, and eventually the real deal. I can tell you now that the most important thing is to practice your Japanese as much as you can, and make a lot of Japanese friends to help you out with grammar/spelling (since you will most likely start out without the aid of an assistant, and you don't totally want to piss off your editor). As others have stated, it is a very busy life, and technically manga doesn't pay all the bills. Eventually if you hit it big you can do events, conventions, speeches, signings, etc to make money, but until then you will need another sort of income.
Try and start out like I did, and ask if you could be an assistant (as it might be a little rude to ask a company to do kengaku). Make sure you have an actual job in Japan, this is why having a less stressful job as a assistant might be best. An ALT job in Japan would be great, since most of them supply you with paid furnishing, insurance or whatever and most hours you will work are about 30, giving you plenty of time to help out after school hours. In any case, once you become a real manga ka, you should be able to have enough experience to charge 40-50 bucks an hour for advanced English classes (and yes Japanese people will pay this if they find you qualified). Having a spouse/partner who is working will also help greatly.
I know lots of people here have told you that it's hard to achieve this goal, and I will agree to that as well. You can have a ll sorts of drawing styles (and boy have I've seen some ugly published manga), but the point is, the manga life is not all glamour. I love it because I enjoy writing and drawing, but if you only want to be famous and popular, then give up now. I'm sure Micheal Arias (the first non-Japanese director of a Japanese anime film) did it for the love of animation, not for the hopes of becoming known worldwide. But he is also an example that it can be done. All I can say is good luck, and keep your chin up :)
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